“One is always playing the surgeon, one kills always the thing one loves best. Widgett was a journalist and art critic, addicted to a greenish-gray tweed suit and “art” brown ties; he smoked corncob pipes in the Avenue on Sunday morning, travelled third class to London by unusual trains, and openly despised golf. About this conception of ownership he perceived and desired a certain sentimental glamour, he liked everything properly dressed, but it remained ownership. "Never—never!" The words were scarcely pronounced, when the door was violently thrown open, and two men appeared at it. But he was now too deeply moved to trace a certain unsatisfactoriness to its source in a mixture of metaphors.
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